The Unthanks
LINES

Lines is a trilogy of song cycles inspired by poetry, focusing on three female perspectives across time - writer Emily Brontë, World War One poets, and British Hull fishing worker Lillian Bilocca. Available as 'medium play' records on 10" vinyl, CD and download, they can be bought separately or together in an unshouty slipcase.

EXCLUSIVE EXTRA TRACK
Buy the full trilogy in neat slipcase for no extra cost and receive an extra Emily Brontë track, only available to buyers of the trilogy direct from us.

PRE-ORDER NOW FOR SHIPPING DEC 7TH. LINES IS ONLY AVAILABLE FROM THE UNTHANKS WEBSITE UNTIL GENERAL RELEASE ON FEB 22ND.

THE COMPLETE TRILOGY

Part One - Lillian Bilocca

Lillian (Prelude) (Adrian McNally)
A Whistling Woman (Words: Maxine Peake / Music: Adrian McNally/Becky Unthank)
The Sea Is A Woman (Words: Maxine Peake / Music: Adrian McNally)
Lonesome Cowboy (Claude Bolling/Jack Fishman published by Dargaud/State One Music France)
Lillian II (The Banqueting Hall Scene) (Adrian McNally)

Part Two - World War One

Roland And Vera (Sam Lee, Nico Brown, Cosmo Sheldrake, Gwendolen Chatfield, Adrian McNally)
Everyone Sang (Tim Dalling)
War Film (Words: Teresa Hooley / Music: Adrian McNally)
Breakfast (Words: Wilfred Wilson Gibson / Music: Adrian McNally)
Suicide In The Trenches (Words: Siegfried Sassoon / Music: Adrian McNally)
Socks (Words: Jessie Pope / Music: Adrian McNally)

Part Three - Emily Brontë

The Parsonage
Shall Earth No More Inspire Thee
High Waving Heather
She Dried Her Tears And They Did Smile
The Night Is Darkening Round Me
Deep Deep Down In The Silent Grave
Lines
Remembrance
O Evening Why
I'm Happiest When Most Away

Words by Emily Brontë
Music by Adrian McNally, arranged by Adrian McNally, Rachel Unthank, Becky Unthank.

Except Remembrance (Words: Emily Brontë / Music: Rachel Unthank / Adrian McNally arr. by Adrian McNally, Rachel Unthank, Becky Unthank, based on a traditional tune.)

SEPARATES

PART ONE - LILLIAN BILOCCA

The lines in Part One - Lillian Bilocca - were written by actor and writer Maxine Peake and again turned into song by McNally, the songs originally being performed live by The Unthanks in The Last Testament Of Lillian Bilocca, the acclaimed site specific theatre event written by Peake, about the Hull Triple Trawler Disaster of 1968 in which 58 men lost their lives. Taking place in the Autumn of 2017 and set in the atmospheric rooms and corridors of Hull's grand Guildhall, the show came top of audience feedback ratings for all events commissioned by Hull City Of Culture.

PART TWO - WORLD WAR ONE

The lines for Part Two - World War One, are those of poems and letters from the time. Written and performed in the opening centenary year (2014) for A Time And A Place - a live audio visual work commissioned by Sounds UK and the Arts Council, the songs include writing by Adrian McNally, Sam Lee and Tim Dalling. Of particular note are the poems Socks by Jesse Pope and the startling and heart-wrenching War Film by Teresa Hooley; two poems offering lesser heard female voices from the time, and that speak against war with such humanity that they could apply to any side of a conflict and to any time. The piano for Part Two - World War One was recorded on the very piano that Holst wrote The Planets on, between 1914 and 1916.

PART THREE - EMILY BRONTË

The final record in this trilogy is collection of ten poems by Emily Brontë, turned into song by Unthanks pianist Adrian McNally. Commissioned by the Brontë Society to mark Emily's 200th Birthday, McNally wrote and recorded them on her original piano in The Parsonage where she grew up, performed with bandmates Rachel and Becky Unthank. With the Brontë Parsonage now a working museum of course, the writing and recording had to take place after nightfall. Composer, pianist and producer Adrian McNally wrote the music for the whole record in his first evening at Emily's piano (a rare example of a 5 octave cabinet piano probably made in London between 1810 and 1815), before spending the rest of the residency working on the songs by day on a beautiful German upright at his lodgings in nearby Ponden Hall - another house associated with the Brontës. He would then take his work-in progress into the Parsonage to road test them on Emily's piano in the evenings, before weeks later, returning with Rachel and Becky Unthank to record the songs.